Rosie Middleton (Antigone), Ben Smith (Piano) Isabelle Haile, Natalka Pasicznyk, Megan Holch (Chorus), Matthew Hardy (Conductor) The Space Theatre, Tower Hamlets 30th May 2021
Rosie Middleton (Antigone), Ben Smith (Piano) Isabelle Haile, Natalka Pasicznyk, Megan Holch (Chorus), Matthew Hardy (Conductor) The Space Theatre, Tower Hamlets 30th May 2021
Rosie Middleton (Antigone), Ben Smith (Piano) Isabelle Haile, Natalka Pasicznyk, Megan Holch (Chorus), Matthew Hardy (Conductor) The Space Theatre, Tower Hamlets 30th May 2021
Hebba Benyaghla (Piano) Farah Esset, Rico Xie, Amber Jiang, Arisa Wang, Vicky Wong (film makers)
Lament
Stephanie Tepper (Flute), Luke Tucker (Bassoon), Sarah Campbell (Trumpet), Guy Button (Violin), Dan Shilladay (Viola), Patrick Johnson (Cello) 12th June 2020
Joseph Hardy (Narrator), Sarah Bennett (Flute), Max Mausen (Clarinet), Jamie Fathers (Saxophone), Sarah Campbell (Trumpet), Tatiana Chernyshova (Cello), Sam Wilson (Percussion), Matthew Hardy (Conductor) Queen Mary University of London 24th November 2015
Edward Nesbit and Thomas Hodgson were colleagues in the Music Department at King’s College London, and they initiated a musical collaboration soon after the first lockdown began. Called ‘Aenigmata’, the project draws upon Latin riddles by St Aldhelm to create a commentary on the new, uncertain world that we all live in.
Edward talks about Lament, his May 2020 commission from East London Music Group.
Laura L’Aimable interviews Edward and his collaborator Dr Thomas Hodgson about Acalantida, a collaborative musical project created in lockdown during the COVID-19 crisis with countertenor Michael Wood.
Edward and his fellow LSO Panufnik Young Composers, Andrew McCormack and Vlad Maistorovici, talk about their experiences with the LSO, and the release of The Panufnik Legacies which features new works by ten composers from the LSO’s Panufnik Composer’s Scheme.